The film is composed of dream-like sequences and its infamous eyeball-slashing scene. At the first screening, Bunuel claimed, he stood behind the screen with his pockets filled with stones, "to throw at the audience in case of disaster." In collaborating on the scenario, their method was to toss shocking images or events at one another. The hand crawling with ants was followed by a transvestite on a bicycle, a hairy armpit, a severed hand on the sidewalk, a stick poking the hand, a silent-movie style sexual assault, a woman protecting herself with a tennis racket, the would-be rapist pulling the piano with its bizarre load, two apparently living statues in sand from the torso up, and so on. just vibes i guess. i thought i'd seen it all but that scene with the eye was absolutely disgusting like probably the most uncomfortable i've ever been in a film. In a very Surrealist manner, both artists blur the barrier between dreams and reality in order to abolish our pre-established notions of reality, which are mainly determined by logic and reason. "We had to open all doors to the irrational and keep only those images that surprised us, without trying to explain why.". Luis Buñuel Salvador Dalí Pierre Batcheff Simone Mareuil Robert Hommet Marval Fano Messan Jaume Miravitlles, 安达卢西亚之犬, An Andalusian Dog, Un perro andaluz, Андалузкото куче, Um Cão Andaluz, Ein andalusischer Hund, Andaluzijski pas, Pies andaluzyjski, Den andalusiske hund, Andaluský Pes, Der andalusische Hund, Un cane andaluso, Andalusialainen koira, Андалузский пёс, Den andalusiska Hunden, Andalúziai kutya, Een Andalusische hond, 안달루시아의 개, 21 mins   Mostly since it bravely brought on screen material that had never been witnessed before (and still today succeed to be quite unsettling).It has at least a couple of HUGELY iconic and immortal visual moments but even though I think I understood most of the purpose behind the film, the juxtaposition of the images is a bit thrown-together in a way that is a bit too confusing and unnecessarily playful even for an avant-garde movie. It's pure abstract and pure art, it doesn't always have to have meaning or symbolism (? It was Buñuel's first film and was initially released in 1929 with a limited showing at Studio des Ursulines in Paris, but became popular and ran for eight months. Videos . It was Buñuel's first film and often comes across like a fragment from a faint alternative reality, where cinematic composition exists in ways which are unknown or perhaps it serves as a memento of time before the film industry attained the capacity for sound and colour. Countless analysts have applied Freudian, Marxist, and Jungian formulas to the film. There are few more startling examples of avant-garde cinema than Un Chien Andalou (it translates literally as ‘an Andalusian dog’), the surrealist fancy dreamed up by artist Salvador Dali and director Luis Buñuel un 1929. Un Chien Andalou is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. The short film is in many ways ahead of it’s time and it was also surprisingly well made for it’s time. People complain there is no dog to be seen in An Andalusian Dog. Andalusian Hound Dog Breed Information and Pictures - PetGuide. This list just from the 2020 edition,…, ArtsAmbition 1,648 films 6,327 94 Edit, A very rough list of eccentric cerebral films - films that are consisted of many wonderful imaginative ideas and creations,…, This list of personal favorites was originally assembled by Edgar Wright and Sam DiSalle in July 2016, and is semi-regularly…, For a film to be included here, the short must be under 41 minutes in length, and have 500 views.…, Movies that I want to watch online for free. An Andalusian Dog reproduction poster print Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. 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