[8] His incorporation of stringed instruments could be attributed to the influence of the classical composer Igor Stravinsky. His autobiography, The Trouble With Cinderella: An Outline of Identity, was published in 1952 (with later reprint editions in 1992 and 2001). Artie Shaw played ukulele at ten and began as an alto saxophonist at the age of twelve. While Shaw enjoyed success with a number of hit recordings, no doubt his most popular was a 1940 recording of Hoggy Carmichael’s “Stardust”, which came just two years after Shaw’s first big hit, Cole Porter’s “Begin the Beguine”. "[17] Shaw's short stories, including "Snow White in Harlem", were collected in The Best of Intentions and Other Stories (1989). Once the Swing era took hold, Benny Goodman, Artie Shaw and Tommy Dorsey all recorded the song. In 1940, at the height of his popularity, the 30-year-old Shaw earned up to $60,000 per week. Throughout the autumn and winter of 1938, he was often heard from the Blue Room of the Hotel Lincoln in New York. Artie Shaw Top Songs in the Charts Top One Hit Wonders of the 1940s Top Pop One Hit Wonders Stardust was the #3 song in 1941 in the Pop charts . The film garnered him two Oscar nominations for Best Score and Best Song ("Love of My Life"). His last prewar band, organized in September 1941, included Oran "Hot Lips" Page, Max Kaminsky, Georgie Auld, Dave Tough, Jack Jenney, Ray Conniff and Guarnieri. He felt the titles should be reversed. He portrayed himself in the Fred Astaire film, Second Chorus (1940), which featured Shaw and his orchestra playing Concerto for Clarinet, and his 1940-41 Hollywood period Star Dust band can be heard throughout the soundtrack. The addition of a string section to a popular big band was not novel, as it had been done by Paul Whiteman and others since the 1920s. The result was the hit "Frenesi". Shaw was also a precision marksman, ranking fourth in the United States in 1962,[5] and an expert fly fisherman. His 1940 recording of "Stardust" was used in its entirety in the closing credits of the film The Man Who Fell to Earth. [13] He acted on the show as a love interest for Gracie Allen, although he disliked having to be a part of the celebrity culture of the period.[14]. He died on December 30, 2004, aged 94. Shaw credited his time in the Navy from 1942 to 1944 as a period of renewed introspection. The band was showcased on the Burns and Allen program every week. His rendition of "Begin the Beguine" is the one everybody remembers and set the gold standard for that song. Olivia de Havilland and Ronald Reagan, part of a core group of actors and artists who were trying to sway the organization away from Communism, presented an anti-Communist declaration which, if signed, was set to run in newspapers. In fact, Shaw had long been suffering from diabetes. Tommy Dorsey & Frank Sinatra - I'll Never Smile Again Frenesi was the #2 song in 1940 in the Pop charts. He used the morose "Nightmare", with its Hasidic nuances, as his theme rather than choosing a more accessible song. Soundtrack | Actor Artie Shaw started his first swing band in 1936. I'm not able to do that, and I have taken the clarinet as far as anyone can possibly go. During World War 2, Artie Shaw enlisted in the US Navy and later formed a band, which served in the Pacific area (similar to Glenn Miller’s wartime band in Europe). I flipped over it! The song was performed by Artie Shaw . [citation needed], Apart from his interest in music, Shaw had a tremendous intellect and almost insatiable thirst for intellectual knowledge and literature. He collaborated on the love song "If It's You," sung by Tony Martin in the Marx Brothers' film, The Big Store (… Artie Shaw, the well known clarinet player and Big Band leader came to Townsville. On December 7, three months into the tour, the 31-piece band was in the midst of a matinee performance in Providence, Rhode Island, when he was given a note about the Japanese bombing of Pearl Harbor. Comment below with facts and trivia about the song and we may include it in our song facts! He continued to record for RCA Victor, as he had before the war, and limited the band's personal appearances to military bases in California. In 1946, Shaw was present at a meeting of the Independent Citizens' Committee of the Arts, Sciences and Professions. Shaw did many big band remote broadcasts. [15] After the war, the popularity of big bands declined, as Crooners and Bebop began to dominate the charts. Martin Scorsese also used the Shaw theme song, "Nightmare", in his Academy Award-winning Howard Hughes biopic, The Aviator. According to his publicist, he had been "in ill health for some time, but I don't know the specific cause of death." Shaw made several musical shorts in 1939 for Vitaphone and Paramount Pictures. Following the breakup of that band, he began to focus on other interests and gradually withdrew from the world of being a professional musician and major celebrity, although he remained a force in popular music and jazz before retiring from music completely in 1954.[3]. Complete your The Poll Winners Of 1940 - Glenn Miller Tommy Dorsey Harry James Benny Goodman Artie Shaw Jimmy Dorsey collection. [2], Shaw also recorded with small jazz groups drawn from within the ranks of the various big bands he led. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond Theme, possibly influenced by 1938's "Nightmare". | Free shipping on many items! [5] In contrast, George Burns and Gracie Allen were each making $5,000 per week during the year that Shaw and his orchestra provided the music for their radio show. The band continued without him into January but eventually broke up. "Artie Shaw, Without Music". [11], The long series of musical groups Shaw formed included Billie Holiday, Lena Horne, Helen Forrest, Mel Tormé, Buddy Rich, Dave Tough, Barney Kessel, Jimmy Raney, Tal Farlow, Dodo Marmarosa, and Ray Conniff. At 16, he switched to the clarinet and left home to tour with a band. Arthur Jacob Arshawsky (1910-2004), commonly known as Artie Shaw, was an American clarinetist, composer, and band leader. He worked for years on his 1000-page autobiographical novel, The Education of Albie Snow, but the three-volume work remained unpublished. Find great deals on eBay for artie shaw. [5] Band pianist Johnny Guarnieri played harpsichord on the quintet recordings, and Al Hendrickson played electric guitar. "'Jazz is like jumping off a cliff'". [22] He had two sons, Steven Kern (by Betty Kern) and Jonathan Shaw (by Doris Dowling). “Star Dust” (1940) Artie Shaw The story: It is always challenging to write objectively and accurately about Artie Shaw’s music and personality. Shaw broke up the Hollywood band, keeping a nucleus of seven musicians in addition to himself, and filled out the ensemble with New York musicians until March 1941. On the one hand, much of the music Shaw made during the swing era was wonderful, indeed great. The 58-year-old Johnson, an accomplished woodwind and saxophonist and native of Brockton, Massachusetts, was no stranger to jazz having recorded numerous albums of his own and had idolized Shaw's playing throughout his life. Wilson, Jeff. Strings gave him a wider tonal palette and allowed him to concentrate on ballads rather than the fast dance songs of the swing era. TYhroughout Helen Forrest is in good voice and had clearly learned from Billie Holiday during the brief time they were both with Artie. People rave about Artie's recording of 'Stardust' made in 1940 with his band with strings. The song was performed by Artie Shaw. After touring in 1939, he led the house band at the Cafe Rouge of the Hotel Pennsylvania in New York. [29], Longtime Duke Ellington clarinetist Barney Bigard cited Shaw as his favorite clarinet player. The war years were not especially rewarding although he briefly led the Bobby Byrne Orchestra when Byrne was called up for military duty. This CD starts out with the last three titles that Shaw cut on May 13, 1940, with a studio … Revealing downbeat elements of the music business, Shaw explained that "the trouble with Cinderella" is "nobody ever lives happily ever after. The version here by the 1938 band is far better. Discover releases, reviews, track listings, recommendations, and more about The Poll Winners Of 1940 - Glenn Miller Tommy Dorsey Harry James Benny Goodman Artie Shaw Jimmy Dorsey - The Golden Age Of The Dance Bands at Discogs. The family was Jewish; his father was from Russia, his mother from Austria. and on August 31, 1952, was part of the panel. Product description Among the big band leaders of the 1930s and '40s, Artie Shaw was considered one of the most innovative and creative. He was the headliner of a radio series with comedian Robert Benchley as emcee. [28], In response to Benny Goodman's nickname, the "King of Swing", Shaw's fans dubbed him the "King of the Clarinet". [6] He named it Artie Shaw and the Gramercy Five after his home telephone exchange. Arthur Jacob Arshawsky (1910-2004), commonly known as Artie Shaw, was an American clarinetist, composer, and band leader. Freedland, Michael. Artie Shaw, Soundtrack: Second Chorus. I played music," he said. The committee was investigating a peace activist organization, the World Peace Council. He made a few records for Musicraft before the band broke up, and all of the recordings for Musicraft from 1946 were staffed by top-notch session musicians. In his later years, Shaw lived and wrote in the Newbury Park section of Thousand Oaks, California. [citation needed], A self-proclaimed "very difficult man",[21] Shaw was married eight times. Get the best deal for Music Album CDs Artie Shaw from the largest online selection at eBay.com. Notable players in this band, playing the solos on Stardust, were Billy Butterfield on trumpet and Jack Jenny on trombone. [19] He collaborated on the love song "If It's You", sung by Tony Martin in the Marx Brothers' film The Big Store (1941). Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." His best-known orchestra enjoyed a lengthy residency at the Blue Room of the Hotel Lincoln on New York's Eighth Avenue. As the audience left, he knew the band was coming to an end. To continue playing would be a disservice. The documentary ends with Shaw rehearsing his new band with co-leader Johnson present and rolls to credits perhaps quite fittingly with the band taking a final segue to Shaw's theme song Nightmare. 1999 Preview SONG TIME The Last Two Weeks In July ... More by Artie Shaw. In 1940, before eloping with Lana Turner, Shaw briefly dated actresses Betty Grable and Judy Garland[23] and, according to Tom Nolan's biography, had an affair with Lena Horne. In 1950, he was a mystery guest on What's My Line? It did not include any strings and was based in Hollywood, California, where Shaw was living. His tone, his choice of notes, and his virtuosity all seemed to come together in one lyrical moment, rarely matched by other musicians. There was bedlam as many rose to champion the communist cause, and Shaw began praising the democratic standards of the Soviet constitution. Remote broadcasts noted the band performing in good form and Shaw dazzling the crowd with his clarinet. “Stardust” looms large in the Sinatra legend — it was the first song he ever sang with Harry James’ orchestra, and he would record it several times over the course of his storied career. At the Cafe Rouge he quit his band that week and went to Mexico. 2:24 A. In 1994, he told Frank Prial of The New York Times, "I thought that because I was Artie Shaw I could do what I wanted, but all they wanted was 'Begin the Beguine'".[12]. In a televised interview in the 1970s, Shaw derided the "asinine" songs of Tin Pan Alley that were the lifeblood of popular music and which bands, especially the most popular (such as his own) were compelled to play night after night. [5] Shaw broadcast on CBS from November 20, 1938 until November 14, 1939. 2:13 Shaw's line climaxes on a dramatic high note. In 1940, the original Gramercy Five pressed eight records, then Shaw dissolved the band in early 1941. 2:02 B As Shaw begins exploring the chords through harmonic improvisation, his line becomes a string of eighth notes. [16] After his discharge, he entered psychoanalysis and began to withdraw from music in favor of a writing career. This is a recording of Artie Shaw and his orchestra preforming \"Stardust\" live in 1940. After his discharge in 1944, he formed another band, this time what could be considered a modern big band in that it contained what is now considered the standard eight brass and five saxes. The film garnered him two Oscar nominations for Best Score and Best Song ("Love of My Life"). [20] During the 1970s he made appearances on The Mike Douglas Show and The Tonight Show with Johnny Carson. [8], Like his main rival,[9] Benny Goodman, and other leaders of big bands, Shaw fashioned a smaller "band within the band" in 1940. In July 1954, Shaw undertook a brief but historic Australian tour for promoter Lee Gordon on which he shared the bill with drummer Buddy Rich and vocalist Ella Fitzgerald. Today Shaw is remarked as one of jazz's finest clarinetists. He subsequently joined Artie Shaw's new string orchestra in Hollywood in October 1940 and again his solo on Shaw's famous "Stardust" recording reaffirmed his artistry. In 1929 and 1930, he played with Irving Aaronson's Commanders, where he was exposed to symphonic music, which he would later incorporate in his arrangements. Shaw appeared with the band throughout its first few years, limiting his role to being its conductor and front man, while leaving the clarinet playing duties to Johnson. "Swing Bandleader, Clarinetist Artie Shaw Dies", University of Arizona: Artie Shaw Collection, This page was last edited on 22 December 2020, at 00:17. (1965, reprinted in 1997), which prompted Terry Southern's comment: "Here is a deeply probing examination of the American marital scene. Following the breakup of what was already his second band in 1939, he rarely toured at all and, if he did, his personal appearances were usually limited to long-term engagements in a single venue or bookings that did not require much traveling, unlike many bands of the era that traveled great distances doing seemingly endless strings of one-night engagements. In 1932, Shaw joined the Roger Wolfe KahnOrche… In August 1945 his contract with RCA ended and he signed with an independent label, Musicraft. His first public appearance leading his own band was in his native New York City on the 24th of May, 1936 and he became one of the biggest names in jazz and popular music during the late 1930's and 1940's swing heyday. [5], He was an innovator in the big band idiom, using unusual instrumentation; "Interlude in B-flat", where he was backed with only a rhythm section and a string quartet, was one of the earliest examples of what would be later dubbed Third Stream. You have to be Lawrence Welk or, on another level, Irving Berlin, and write the same kind of music over and over again. [7] Shaw valued experimental and innovative music rather over dancing and love songs. [26] In 2005, Shaw's eighth wife, Evelyn Keyes, filed suit, claiming she was entitled to one-half of Shaw's estate, pursuant to a contract to make a will between them. [5] During the swing era, his big bands were popular with hits like "Begin the Beguine" (1938), "Stardust" (with a trumpet solo by Billy Butterfield),[6] "Back Bay Shuffle", "Moonglow", "Rosalie" and "Frenesi". [4] Shaw grew up in New Haven, Connecticut, where his natural introversion was deepened by local antisemitism. Artie Shaw was probably one of the most charismatic yet enigmatic figures who rose to be the number one bandleader in the world during the height of the big band period of the late 1930's to the mid 1940's. Artie and the band were featured in the 1939 movie Dancing Coed. [citation needed], In 1938, Down Beat magazine readers voted Artie Shaw's the best swing band. Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. "Artie Shaw's ex-wife gets half of estate", Learn how and when to remove this template message, It Don't Mean a Thing (If It Ain't Got That Swing), "A short history of… "Nightmare" (Artie Shaw, 1936)", "Artie Shaw Biography Songwriter (1910–2004)", "JAZZ A Film By Ken Burns: Selected Artist Biography – Artie Shaw", "At Home with: Artie Shaw; Literary Life, After Ending the Beguine", "Books by Artie Shaw- I Love You, I Hate You, Drop Dead! It is today known as one of the greatest jazz songs of all time. | Browse our daily deals for even more savings! Shaw was at or near the top of the list of virtuoso jazz bandleaders. "Artie Shaw, 94: Top bandleader of swing era". In 1983, after years of prodding by Williard Alexander, the 73-year-old Shaw organized a band and selected clarinetist Dick Johnson as bandleader and soloist. [25] In 1953, Shaw was forced to testify before the House Un-American Activities Committee for his leftist activities. In 1940, Dorsey recorded a new version with the vocal group The Pied Pipers, which featured a young Frank Sinatra. He generally did not stick around long enough to reap his bands' successes through live performances of their recorded hits. While still in his teens he formed his first band, the Bellevue Ramblers which performed at local gigs. After completing that tour Shaw stopped playing the clarinet, citing his own perfectionism, which, he later said, would have killed him. \"Stardust\" was a song written by Hoagy Carmichael and Mitchell Parish in 1927. Arthur Jacob Arshawsky was born on May 23, 1910, in New York City, he was the son of Sarah (née Strauss) and Harold "Harry" Arshawsky, a dressmaker and photographer. [30], American clarinetist, composer, and bandleader. During his self-imposed "sabbaticals" from the music business, his interests included studying advanced mathematics, as cited in Karl Sabbagh's The Riemann Hypothesis.[24]. Artie Shaw (born May 23, 1910, New York City, New York, USA - died December 30, 2004, Thousand Oaks, California, USA) was an American clarinetist and bandleader. His hits from this hand were Stardust, Frenesi, Moonglow, and Dancing in the Dark. By 1987 though, Shaw was no longer touring with the band, quietly content that Johnson and the band kept true to Shaw's band spirit and vision. 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